

Devlin Hall 430
Telephone: 617-552-4531
Email: emine.fetvaci@bc.edu
Intro to Islamic Art & Architecture
Imperial Reflections: Early Modern Islamic Art & Architecture
After Genghis Khan: Art & Architecture in Iran & Central Asia
Great Cities of Islam: Istanbul
Islamic Book泭
Islamic art & architecture
Painting & arts of the book
Ottoman, Safavid & Mughal art & architecture
Collecting
Artistic patronage & identity
Early-modern courtly societies
Formation of art historical canons
Professor Fetvac覺s research areas include the arts of the book in the Islamic world, and Ottoman, Mughal and Safavid art and architecture. Her courses cover a wide range from medieval Iran and Central Asia to the early-modern Mediterranean, and focus on painting and portable arts as well as architecture. Her first book,泭Picturing History at the Ottoman Court泭(Indiana University Press, 2013), was awarded the 2014 M. Fuat K繹pr羹l羹 Book Prize by the Ottoman and Turkish Studies Association. Her latest monograph, The Album of the泭World Emperor: Cross-Cultural Collecting and Album Making at the Ottoman Court泭(Princeton University Press, 2019), focuses on an imperial album created for the Ottoman sultan Ahmed I (r. 1603-1617), and examines the art and architecture produced during the sultans reign. The Album of the泭World Emperor has been nominated for the 2021 Charles Rufus Morey Award of the College Art Association. Her most recent project examines artistic connections between the Ottoman and Mughal Empires. Fetvac覺 is also the editor, with Erdem ipa, of泭Writing History at the Ottoman Court泭(IUP, 2013). Her first book and the co-edited volume have both been translated into Turkish. Among other venues, her articles have appeared in the泭Art Bulletin,泭Ars Orientalis, and泭Muqarnas. She has held a Stanford University Mellon Postdoctoral Fellowship as well as been a member at the Institute for Advanced Study, Princeton.
Books
The Album of the World Emperor: Cross-Cultural Collecting and the Art of Album Making in Seventeenth-Century Istanbul (Princeton University Press, 2019).
Nusretname: Bir Gazaname Yazmas覺n覺n Sultani Ihtiam覺/Nusretname: Imperial Magnificence in a Gazaname Manuscript (MAS Matbaa ve Yay覺nc覺l覺k, Istanbul, in production).
Osmanl覺 Saray覺nda Tarih Yaz覺m覺 (Turkish translation of Writing History at the Ottoman Court, Tarih Vakf覺 Yurt Yay覺nlar覺, Istanbul, 2014).
Picturing History at the Ottoman Court (Indiana University Press, 2013).
Saray覺n 襤mgeleri: Osmanl覺 Saray覺n覺n G繹z羹yle Resimli Tarih (Turkish translation of Picturing History at the Ottoman Court, Yap覺 Kredi Publications, Istanbul, 2013).
Writing History at the Ottoman Court: Editing the Past, Fashioning the Future, co-edited with Erdem 覺pa (Indiana University Press, 2013).
Articles and Book Chapters
泭Visualizing Urban Festivals in the Ottoman Empire: A Comparison of the Sixteenth and Eighteenth Centuries, in Lauren Cannady and Jennifer Ferng, eds. Crafting Artisanal Praxis: Networks of Power in the Long Eighteenth Century (Oxford University Press, forthcoming June 2021)
Courtly Spaces: Visual and Material Culture, in iロdem Kafes癟ioロlu and Shirine Hamadeh, eds., Brill Companion to Early-Modern Istanbul (Brill, forthcoming 2021).
"The album of Mehmed III: An Inquiry into Genre," in Serpil Baロc覺 and Asl覺han Erkmen eds., Prof. Dr. Zeren Tan覺nd覺 Armaロan覺: 襤slam D羹nyas覺nda Kitap K羹lt羹r羹 ve Sanat覺 (Festschrift for Prof. Dr. Zeren Tan覺nd覺: Arts and Culture of the Book in the Islamic World), in production, forthcoming 2021.
La Jet矇e and the Illustrated Ottoman History: an Inquiry into Word, Image, and Audience, forthcoming in A Festschrift for Cemal Kafadar, ed. Ilham Khuri-Makdisi, Rachel Goshgarian and Ali Yayc覺oロlu, forthcoming 2021.
泭Persian Aesthetics in Ottoman Albums, 402-412 in Sabine Schmidtke, ed., Studying the Near and Middle East at the Institute for Advanced Study, Princeton, 1935-2018 (Gorgias Press, 2018).
"Painting, From Royal to Urban Patronage" (with Christiane Gruber), in G羹lru Necipoロlu and Finbarr Barry Flood, eds. A Companion to Islamic Art and Architecture (Wiley-Blackwell, 2017).
Ottoman Author Portraits in the Early-Modern Period, in Emotions and Subjectivity in the Early-Modern Islamic World, ed. Kishwar Rizvi (Brill, 2017)
"The Gaze in the Album of Ahmed I," Muqarnas 32 (2015): 135-154.
"From Print to Trace: An Ottoman Imperial Portrait Book and Its Western-European models," Art Bulletin, vol. 95, no. 2 (June 2013): 243-268.
"Others and Other Geographies in the ehnme-i Sel蘋m 廎秈n," The Journal of Ottoman Studies vol. 40 (2012): 81-100.
"The Album of Ahmed I" Ars Orientalis, vol. 42 (2012): 127-138.
Enriched Narratives and Empowered Images in Seventeenth-Century Ottoman Manuscripts, Ars Orientalis vol. 40 (2011): 243-266.
"The Art of Osman Hamdi Bey," (expanded) in Renata Holod and Robert Ousterhout, eds., Osman Hamdi Bey and the Americans: Archaeology, Diplomacy, Art (Pera Museum Publications: Istanbul, 2011).
泭Love in the Album of Ahmed I, Journal of Turkish Studies 34/II (Fall 2010): 37-51.
泭The Production of the ehnme-i Sel蘋m 廎秈n, Muqarnas 26 (2009): 263-315.
The Grand and the Terrible: European Visions of Ottomans, in James Clifton, ed., The Plains of Mars: European War Prints, 1500-1825, from the Collection of the Sarah Campbell Blaffer Foundation (New Haven and Houston: Yale University Press and the Museum of Fine Arts, Houston, 2009).
Music, Light and Flowers: The Changing Aesthetics of Ottoman Architecture, Journal of Turkish Studies 32/I (Fall 2008): 221-240.
泭The Office of Ottoman Court Historian, in Robert Ousterhout, ed., Studies on Istanbul and Beyond: The Freely Papers, vol. 1 (Philadelphia: The University of Pennsylvania Museum of Archaeology and Anthropology, 2007).
Digital Publications
Ottoman History Podcast: Hosted by Emily Neumeier and Nir Shafir, January 2016.
The Art of Osman Hamdi Bey, in Archaeologists and Travelers in Ottoman Lands: An Exhibtion at Penn Museum (www. Ottomanlands.com), October 2010.